主演：Artúr Somlay Miklós Gábor Zsuzsa Bánki
Somewhere in the remote r egion, the war ends. In the m idst of ruine d cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lo st their home s and pa rents. A bando ned, hungry, and in ra gs, defense less and humiliated, they wan der thr ough the worl d. H unger drives them. Little str eams of o rphans mer ge into a riv er which ru shes forward and s ubme rges everything in its path. The chil dren do not know a ny feeling ; they know only the world of t heir enemies. They fight, s teal, struggle for a mouthful of food, and viole nce is m erely a means to get it. A gang led by Cahoun finds a refuge in an abandoned cas tle and en counte rs an old composer who has voluntarily retired int o solitude from a world of hatr ed, treason, an d crime . How can they find a common ground, how can they be come mutual friends The castle becomes their hidi ng place but possibl y it will also be their first home which the y may or ganize and mu st defend. But even f or this, the p rice wil l be very high . To this simple story, the journalist, write r, poet, scriptwrit er, mo vie di rector, and film theor etician Béla Balá zs applied many years of exp erience. H e and the di rector Géza Radványi created a work which opened a new postwar chapter in Hungari an film. Surpris ingly, this film has not lost any of its impact ove r the years , especially on a profound phil osophical level . That is to say, it is not merely a movie about war; it is not important in what location and in what period of tim e it takes place. It is a story outside of time ab out th e joyless fate of children who pay dearly for the cruel war games of adults. At th e time it was premiered, the movi e was enthusiastically received by the critics. The main roles were taken by streetwi se boys of a children's group who created their ro les impr ovisat ionally in close cont act with a few professional actors, and in the c hildren's acting their o wn fresh experience of war' s turmoil a ppears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introduc tory sequences an air raid on an amusement park, se en in a montage of dramatic situations evoking the la st spasms of war, where, undoubtedly, we d iscern the influence of cl assical Sov iet cinemato graphy. Shooting, the boy's escap e, th e locomot ive's wheels, the shado ws of soldiers w ith s ubmachine guns, the soun d of a whistle— the ima ges ar e lin ked together in abr upt sequences i n which var ying shots and expressive sharp sounds are emphasized. A perfectly planne d screen play av oided all elements of sentim entality, time-worn stereotypes of wronged childr en, romanti cism and cheap simpl ification . The authors succeeded in b ridg ing the per ilous dramatic abyss of the metamor phosis o f a childr en's commun ity. Their telling of the story (the scene of pillaging, the assault on the cas tle, etc) independe ntly int roduced some neoreal ist elements which, at that time, were bein g propagated in I taly by De Sica, Rossellini, and other film a rtists. The re bukes of contem porary critics, who called attenti on to formalism f or its own sa ke have bee n forg otten. Th e masterly ar t of camer aman Ba rnabás Hegyi gives vitality to the poetic images. His angle shots of the chi ldren, his composition of scenes in the castle inter ior, are a livi ng document of the times, and underline the atmosphere and t he characters of the protagonists . The su ccess of the picture was also enhanced by the musical art of composer Déne s Bud ay w ho, in t ense situation s, inserte d the theme of the M arseilaise into the movie's structure, as a motive of community unification, as an expressi on of friendshi p and the possi bility of understanding. Valahol Europaban is the fi rst signif icant postwar H ungarian film. It origi nated in a relaxed a tmosphere, re plete with j oy and euphoria, and it inc ludes these e lemen ts in order to d emonstr ate the s trength of humanism, tolerance, and friendship. It r epres ents a general condemnation of war any where in the world, i n any f orm. 星辰影院为您提供《欧洲的某个地方》完整未删减版免费在线观看。精彩剧情/对白：“顾家老太太，我已经拿 了休书了， 几个娃也从 族谱里除了名了，已经不是 一家人了，你也别提 这些有的没的了，以前你也了，我生 的这几个都是赔钱货，不配做老顾家的种。我们也没有这个脸皮赖着老 顾家，姓名不好改，你就当我们是外头的顾姓吧，你也别为难孩子了。大家桥归桥路 归路，别往一处走了，我们一家子， 怕了你们了。”
“夫人，我们顺福楼很需要你的药 膳方子，之 所以今日会厚着脸皮过来 ，也是因为 知道您是个讲义气的人，之 前咱们合作共赢过，相信将来也可以的，而且之后的顺福楼会更好的 配合你。 萧然那子都能跟着你一起合作，顺福楼为什么不可以呢？你 放心萧家
“不是意郡 主，你们大概还不清楚吧，大炎 临县突发瘟疫，本公主亲 自去医治的，救了灾，所以大炎皇上亲自封赏我为大炎 的护国公主了。 所以如今已经不是意郡主 了，而是护国公主，当然，你要是觉 得护国公主叫起来麻烦，那叫意公主也是一样的。”
“我挺喜欢你这个饶，既然你媳妇是买来的 ，做丫鬟也是可以的，我是罗 家的姐，我们成亲的话，肯定是要 做正室的，不过我从来不是那恶毒之 人，自然是不会 让她去做丫鬟的，可 以让她做妾室，日后我也是一样不会为难她的。”
“陆慎是 我的儿子不假，但是陆氏并 不只是我的公司，还是 股东的公司，数千个 职员的公司。我和陆维已经退出陆 氏的经营层这么久了，这期间也一直是把 我们俩拥有的股权托付给陆慎的，而他也做的很好。 现在因为对他私人感情的不满，我就贸然拿回自己的股份， 甚至夺回经营权的话，公司的经 营一定会受 到影响，更不要说引发高 层动荡，让 公司未来的发展都会受到影响。”
