Sixty Glo rious Year s is an exercise in the creation of iconography, both for Victoria and its st ar, Anna Neagle (who subsequently became known as 'Regal Ne agle'). Just as Elizabeth I com missioned artists to cr eate flattering ic onic images for p ublic consumption, so this film performs a si mila r function, for Neagle is more beautiful than t he real life Vi ctoria . Controversial events (such as the 'Irish p roblem') are omit ted and unpleasa nt aspects of Victoria's character (her petula nce, arrogance, favour itism and 'r ight to privilege') are glossed over as e ndearing little 'whims'. Albert acts as a moderating influence when she goes too far. Th e film followed a year after the highly successful Victoria the Great (d. Herbert Wilco x, 1937). Again the screenplay is by Miles Malle son and Robert Vansittart, and many of the su pportin g cast (the cream of acting talent o f period ) repeat their roles, this time f or the colo ur camera s. This was the first full length Technicolor film of cinematogr apher Freddie Young, who captur es the spe ctacle of ro yal wedd ings, grand balls and op ulent interior s, with sc enes actually filmed at royal palaces. Vivid bat tle scenes, set in Alexa nder Korda's empire ter ritory (Sev astopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939 ). The t itle music sets t he tone a regal choir sings ove r a shot of the crown . Elgar's 1901 'Pomp and Circumsta nce' march is heard during t he diamond jubilee celebrations and, as Vi ctoria's coffin lies in state, the f ilm concludes with Anth ony Collins' sta tely m usic accompanied by the text of Rudyard Kipling's 'Lest we f orget'. Combined with the emotional appeal of scenes of Victoria connectin g with her 'ordinary folk', this is stirri ng stuff. T he film conne cts with c ontemporary events of 1 938. T he release of tw o ce lebratory royal fi lms was intended to boost public affection for t he monarchy in t he wake of Edward VIII's abdication . Anglo-Germ an relations were another touchy subject. Wit h another wa r on the horizon, influential voic es wanted appeasement, and the fil m could be seen to fit that agen da. Victor ia herself was of mainly German descent, n ickname d 'the grandmother of Europe', w hile Albert is a 'good G erman', charmingly play ed b y Anton Walbrook as a c ultured, decent man. S ixty Glor ious Years now se ems unduly forma l and reverential. Had movies ex isted duri ng Victoria's reign (they onl y emerge d at the end) this might ha ve been the kind of film produced. Unli ke Mrs Brown (d . John Madden, 1997), it i s all so very 'V ictorian'. Roger Philip Me llor 星辰影院为您提供《荣耀六十年》完整未删减版免费在线观看。
精彩剧情/对白：“不是，是我阿爹在世的时候，便已经给我定好了，是和 铁木的，日后自然也是和我们大 夏部落的人成亲，好好 带着我们大夏部落的人越来越好 ，和黑木部落 的人成亲，我担心我大夏部落的族人会没有办法得到自己应得的利益，需要顾忌良多，所以这件事情并不可能的，你明白了吗？”
“再就是你媳妇的事情，若是一 切顺利，到 了京城，你名次可以的话，在公布名次的时候，京城有 些大人便会直接榜下招婿，这一点 ，你也要注意点，指不定会 出什么事情。要么就是你们 两人商量好了，达成了默契，你如今的媳妇做，娶了京城大人家的做大，要么就是直接拒绝 ，那么也代表，你 还没有做官，就得罪人了， 往后，路难走啊
“再者，真要是答应了，便搅进去浑水里面去了。当今圣上 年纪大了，皇子们也都不了，这会儿恐 怕早就已经分了派系，有了各自的党羽了。礼部侍郎这样的位 置，只怕早就站队了，真要是和他扯上关系 ，咱们岂不是也站了队， 往后还能有什么好的，除非运气好，站对了人。 ”
“我能去哪里呢？ 我辞掉了工作，和家人闹翻了，本以为会迎来我的美满结局， 却没有想到是这样的悲剧故事。 组织里除了有他，其他 其实都挺好的，我能供 养我自己，还能… …看一看我的儿子。这是无处可去的我，最好的归 宿了。”
“恐怕你有所不知，那 位小姐是黑森的表妹，你应该知道，以 如今黑森的 身价，想买什么项链给妹妹会没有，为什么要将翠西特小姐的项链占为己有呢？何 况刚才黑森的妹妹 一直和我在一起，想到一 会儿可能黑森会联系她，所以才想着回来拿包，你应 该让令嫒再到别处好好找找才是。”
