Voice 1 (male professional announ cer type) This neighbor hood( 1) w as made for the wr etched dignity of the p etty bourg eoisie, for respectable occupations and intellectual t ourism. The seden tary population of the uppe r floors was sheltered from the i nfluences of the stre et. This nei ghborh ood has remain ed t he same. It was th e strange setting of our stor y, where a systematic questioning o f all the divers ions and wo rks of a society , a total critique o f its idea of ha ppiness, was expressed in acts. The se p eople also scorned subjective pr ofund ity. They were interested in nothing but an ade quate and c oncrete express ion of thems elves. Voice 2 (Debord, mo noto ne) Human beings are not fully c onscious of their real li fe - usually groping in the da rk; ove rwhelmed by the consequences of the ir acts; at every moment groups and individuals find th emselves confro nted with results the y have not wishe d. Voice 1 They said that oblivion was their ruling passion. They w anted to reinvent everyt hing each day; to become the masters and possessors of thei r own lives. Just as one does not judge a man acc ordin g to the concep tion he has of himself, on e cannot judge such period s of transi tion according to thei r own consciousness; on the co ntrary, one must expla in the consciousness through the contradic tions of material life, through the confl ict be tween social con ditions and the forc es of social production. The progr ess ac hieved in the d omina tion of nature was not yet mat ched by a corres ponding liberation of everyday li fe. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsoc iety. The knowledge of empirical facts remains ab stract and superficial as long as it is not concre tized by its integration into the whole ” which alo ne permi ts the supersession of partial and abstract problems so a s to arrive at their concrete esse nce, an d implicitly at their mean ing. This group was on the margin s of the economy. It tended toward a role of pure cons umption, and first of all t he free consumption of its t ime. It thus found itself dire ctly engaged in qu alitative v ariati ons of everyday lif e but depriv ed o f any means to i ntervene in them. The group ranged over a very smal l area. The same times brought them back to the same places. No o ne went to bed early. Discussion on the meaning of all th is cont inued... Voice 2 Our life is a journey ” I n the winter and the night. ” We seek our passage ...� Voice 1 The a bandoned literature nevertheless ex erted a delaying action on new aff ective formulations. Voi ce 2 Ther e was the fatigue and the cold of the morning in this muc h-traversed labyrinth, like an enigma that we had to resolve. It was a looking-gl ass reality through which we had t o discov er the po tential richness of reality. On the bank of the river evenin g began once again; and caresses; an d the importance of a world without impo rtance. Just as the eyes have a blurred vision of many th ings and can see only one clearly, so the will can strive o nly incompletely toward dive rse objects a nd can com pletely love only o ne at a time. Voice 3 (young girl) No one counted on the future . It would never be possibl e to be together lat er, or anywh ere else. There wo uld never be a gre ater freedo m. Voice 1 The refus al of time and of gro wing old automatically limited en counters in this narrow, contingent zon e, where what w as l acking was felt as irreparable. The extreme precariousness of the means of gett ing by wit hout working was a t the root of this impat ience which made excesses necessar y and br eaks defini tive. Voice 2 One never really contests an organization of existence wit hout contesting all of t hat organiz ation's forms of lan guage. Voice 1 When freedo m is practi ced in a close d circle, it fades into a dream, becomes a mere r epresentation of itself. The ambiance o f play is by nature unstable. At any mo ment ordin ary life� can prev ail onc e again. The geogra phical limita tion of play is ev en more striking than its temporal limitat ion. Any g ame takes place within t he co ntours of its spatia l domai n. Around the neighborhood, around its fleeting and threatened immo bility, stretched a half-kn own city where people met only by chance, los ing their way forever. The girls wh o fo und their way ther e, because they wer e leg ally under the control of their families until the age of eightee n, were often rec aptured by the defende rs of that d etestab le institution. They w ere general ly confined under the gua rd of those creatures who among all th e bad prod ucts of a b ad society are the most ugly and rep ugnant nuns. What usually makes documentaries so easy to u nderstand is th e arbitr ary limitat ion of their subject m atter. They descr ibe the ato mization of s ocial fun ctions and the isolation of their pr oducts. One can , in contra st, en visage the e ntire complexity of a moment which is not r esol ved into a work, a moment whose movement indissol ubly contai ns facts and values a nd whose meaning does no t yet appear. The subject matter of the do cume ntary would then be this confused totali ty. Voice 2 The era h ad arrived at a level o f knowl edge and technical means that made po ssible, and increasi ngly necessary, a direct constru ction of all aspects of a li berated affective and practical existence. T he appeara nce of the se superior means of action, still unused because o f the delays in the proje ct of liq uidating th e commodity economy, had already condemne d aesthetic activi ty, whose ambitions and pow ers were both outdated. The decay of art and of all the values of former mores had formed our sociological bac kground. The ruling clas s's monop oly over the instruments we needed to control in or der to realize the col lective art of our time had ex cluded us from a cultural producti on officially devoted to illustrating and repeat ing the past. An art film on thi s generation can only be a film on its absence of rea l creat ions. Everyone u nthinkingly followed the paths learned once and for a ll, to their work and their home , to their predictable future. For them d uty had alr eady become a habit, an d habit a d uty. They did not see the deficiency o f their cit y. They thought the defic iency of their life was natura l. We want ed to b reak out of this condit ioning, in ques t of another u se of the urban lands cape, in quest of new pa ssion s. The a tmosphere of a fe w places ga ve us intimations of the future powers of an architecture it would be necessary t o create to be the su pport an d framew ork for less mediocre games. We could e xpect no thing of anything we had not ourselves altered. The ur ban environment proclaimed the orders a nd tast es of the r uling society ju st as vio lently as t he newspaper s. It is man who makes the unity of the world, bu t man has extended h imse lf everywhere. P eople can see nothing around them th at is not th eir own image; every thing speaks to t hem of th emselves. The ir very lan dscap e is alive. There we re obstacles everywhere. There was a cohesion in th e obstacles of all types. They main tained t he coherent reign of p overty. Everything being conn ected, it was ne cessary to change everything by a unitary struggle, or nothing. It was necessary to li nk up wi th the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the prole tariat is a desperate stru ggle, bloody and bloodle ss, violent and pea ceful, military and economic, educa tiona l and admi nistrat ive, against the f orces and traditions of the old world. Voi ce 1 In thi s co untry it is once again the men of orde r who have rebelled. Th ey have re inforced their power. They have b een able to aggravate the grotesqueness of th e ruling condi tions accord ing to their will. T hey have embellished their sys tem with the funer eal cerem onies of the past. Voic e 2 Years, like a single instant pro longed to this poin t, come to an end. Voice 1 What was directl y lived rea ppear s froze n in the distance, fit i nto the tastes and i llusions of an era, carried away with it. Voice 2 The appeara nce of events tha t we h ave not made , that other s have m ade against us, now obliges us to be aware of th e passage of time , its results, the transformation o f our own desires into events. What differentiat es the past from the present i s prec isely its ou t-of-reach objectivity; there is no more shou ld-be; bei ng is so con sumed t hat it has ceased to exist. The details are al ready lo st in the d ust of time. Who was afraid of life, afr aid of the night, afraid of being tak en, afraid of being kept Voice 3 What should be abolished continues, and we continue to w ear aw ay wi th it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Onc e again morning in the sam e str eets. Once again th e fatigue o f so many similarly passed n ights. It is a walk that ha s las ted a long tim e. Voice 1 Really ha rd to drink more. Voice 2 Of c ourse one might make a film of it. But even if such a film succeeds in being as fundam entally disconnected and unsatisfying as the reality it deals with, it will never be more t han a re-c reation ” poor and false like this botched trave ling shot. Voice 3 Th ere are now peo ple who pride themselves on being au thors of films, as others were authors of novels. They are even more ba ckward than the noveli sts becaus e they are u naware of the decomposit ion and ex hausti on of individual expression in ou r time, ign oran t of the end of the a rts of pa ssivity. They are praised for their sincerity since they dra matize, wit h mor e personal depth, the conventions of which their life consists. There is talk of the liberation o f the cinem a. But what does i t matter to us if one more art is liberated through wh ich Tom , Dick or Harry can joyously exp ress their slavish sen timents The on ly int eresting ventur e is the l iberation of everyday l ife, not on ly in the perspectives of history but for u s and right away. This en tails the w ithe ring away of alienated f orms of communication. The cine ma, too, has to be destroyed. Voice 2 In the f inal an alysis, st ars a re crea ted by the need we have for them, and not by their talent or lack of talent or eve n by the film industry or adve rtis ing. Miserable need, d ismal, anon ymous life that wo uld like to expand it self to the dimensions of cinema li fe. The imaginary l ife on the scre en is the produ ct of this real need. The star is the project ion of th is ne ed. The images of the advertisements during the intermissions are more suit ed than any others for evoking an in termission o f li fe. To really describe this era i t would no doubt be ne cess ary to show many other things. But what would be the point Better to gr asp the totality of wh at has been done and what remains to be done than to add more rui ns t o the old wo rld of the specta cle and of me mories. 1. This film, which evokes the lettrist exper ienc es at the origi n of the situation ist movement , ope ns with shot s of t he Paris distri ct frequente d by the l ettrist s in the early 1950s. 星辰影院为您提供《关于在短时间内的某几个人的经过》完整未删减版免费在线观看。
精彩剧情/对白：“新船只的建造，老身与 意郡主会亲自负责，想要参与新船只建造的，那么便前来 老身这里报名。而不 想参与新 船只建造的人，一切和以前一样，继续建造旧的船只，做好自己的事情 便可以了，你们在建造厂那么久 ，相信一时的时间无人管， 也可以将
“阿丹自然乖巧了，你又不曾做过什么霸道的事情，就当年，也不过是因为金 阳不仁义在 先，这才活该受 到惩罚的 。再现在，你更是没有做过 什么。再了，我 们阴府，是讲道理的人家，那里来的霸道？ 就算是给退亲 文书，那也是 理所当然的 事情。”
“你也知道的，你的出身摆 在这里的，若是出身好的 ，就算是有我这层关系在， 也找不到比 较好的人家做正室的， 若是寒门 读书人，将来 是有前途的，只是 眼下日子不 好过一点，他们为了和安家结亲必然是愿意的。至 于留在安家做事 ，你可以自己 挑选差事做。自己出去立户呢 ，我们安家为了补偿你和离了，会给你一座两进的院子 ，另外再给你两千两。”
“以后有时间再和你，反正你只要记住，我在 这个家里，是可以 做主自己的事 情，他们也 不能对你指手画脚，你只管安心的过便是 ，至于他们 什么，都是百搭，除非我亲自开口，不然 谁都主宰不了你，而且你也 没必要太给
“秦盛天三番五次企图插手我的事情 ，甚至想要利用一些手段逼我和陆慎离婚，我看在父女一场的面子上，尚且能 忍一忍，但是陆慎忍受 不了别人插手他的婚姻，所以自己找到了秦氏要投 标双子塔的消息， 让陆氏抢走了这个项 目。”
